Addin there has always been a slight valve train tick at idle, if I was next to awall or in a garage. As with alot of larger displacement V-6s, there was always a harshness noise close toredline, no matter what oil I used. Upon switching to Amsoil last year, I did notice that theengine seemed to run smoother. Prior to becoming an Amsoil Dealer last year(due to the customer demand), I was a big fan of Pennzoil Ultra & Platinumdue to their great performing UOA’s (UOA’s that I ran with Blackstone). To give some background, I’m very Pro-Synthetics and my G has always had them. Additional exposition would have just weighed everything down, so I appreciate the film's confidence in its audience to figure out why certain characters act the way that they do without spoon-feeding it to us, getting in the way of the main event in the process.After reading many of the discussions on here about Redline’s EsterBased oil, I decided to try. Both the film and the audience are on the same page, the movie's strongest suit is the manner in which it liberally doles out speed and adrenaline. Rather than having the characters outright state what their motivations are, the audience is left to piece everything together from implicit details after the credits roll some might call this lazy, I call it efficient. The time we spend with our main cast isn't just a formality before we can get back to the fast cars and hellacious crashes. For as simplistic as the plot is, the character interactions are given a good amount of attention (at least moreso than one might expect with a project as visually-focused as this). The designs of everything from the racers to their vehicles to the various planets themselves are just so vivid and creative it's one of those films like Wizards or Fantastic Planet, where I just want to completely immerse myself in the art direction and design.Įven then, with how simple the plot is, I found myself surprisingly invested in the drama between JP and Frisbee the film does slow down at points to give us some insight into their history together, allowing us time to breathe between the insanely engaging action beats. There are obvious influences from existing works (see the initial Speed Racer/ Wacky Races/ Mad Max comparison), but it's got its own distinct identity as well. It's an animated feature that most definitely leaves a big impression. It feels trite to say something like "this film is bursting at the seams with pure imagination", as if something as abstract and subjective as imagination could be measured, but I really can't think of a better way to express myself here. Along with JP and Sonoshee, we have a dirty-cop gorilla man (chasing after the other participants for speeding, naturally), a pair of bounty hunters that definitely aren't parodies of Batman and Robin, and a well-mannered robot who literally is his own car (among others). The character designs are imaginative and endearing, never getting too silly or outlandish so as to distract from the action. I love everything about the way this movie looks, feels, and moves. I tend to use the term "feast for the eyes" regrettably often whenever it comes to discussing animated films, and Redline is definitely no slouch when it comes to visuals. It's a romance/drama/action/sci-fi extravaganza and I honestly had so so much fun with it. Not only does he need to win the Redline, he has to survive, all while pursuing the heart of fellow racer, Sonoshee McLaren (Yû Aoi). As if that wasn't enough, JP is oblivious to the treachery of his longtime partner, Frisbee (Tadanobu Asano), a mechanic who's gotten in deep with the mob. The president of Roboworld (Kōsei Hirota) is staunchly against hosting the Redline on his planet, as he fears the broadcast of the race could reveal a number of illegal military operations (which would undoubtedly violate a great number of treaties) as such, he has pledged to terminate any and all racers he finds on his planet. When JP finds himself voted in as a participant in the titular Redline race (a highly anticipated annual event using traditional motors only), he can't help but say no, even though the race is set to be held on the aptly-named Roboworld, a planet populated entirely by cyborg zealots. Set in the far reaches of space, the film follows "Sweet" JP (Takuya Kimura), a rockabilly racer with a checkered past whose driving skills are nearly as impressive as his pompadour.
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